Al Stewart – Year Of The Cat (MFSL) [MFCD 803]
Archive for the ‘.MFSL’ Category
Al Stewart – Year Of The Cat (MFSL) [MFCD 803]
Posted: August 24, 2015 in .Audiophile, .MFSL, .Remastered, Al StewartTags: Al Stewart, Audiophile, MFSL, Remastered
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Supertramp – Crime Of The Century [MFSL 2002 UDCD 505]
Posted: August 20, 2015 in .24KT Gold, .Audiophile, .MFSL, .Remastered, SupertrampTags: 24KT Gold, Audiophile, MFSL, Remastered, Supertramp
Roy Orbison – The All-Time Greatest Hits Of [MFSL UDCD 774]
Posted: August 20, 2015 in .Audiophile, .MFSL, .Remastered, Roy OrbisonTags: Audiophile, MFSL, Remastered, Roy Orbison
Foreigner – Double Vision [MFSL UDSACD 2051]
Posted: January 6, 2013 in .Audiophile, .MFSL, .Remastered, ForeignerTags: Audiophile, Foreigner, MFSL, Mofi
The Alan Parsons Project – I Robot [MFSL MFCD 804]
Posted: January 3, 2013 in .Audiophile, .MFSL, The Alan Parsons ProjectTags: Audiophile, MFSL, Mofi, The Alan Parsons Project
The Alan Parsons Project – I Robot [MFSL MFCD 804]
Bryan Adams – Recless [24Kt Gold CD]
Posted: November 20, 2011 in .24KT Gold, .Audiophile, .MFSL, Bryan AdamsTags: Audiophile, Bryan Adams, MFSL
Bee Gees – Trafalgar [MFSL UDCD 680]
Posted: October 8, 2008 in .24KT Gold, .Audiophile, .MFSL, .Remastered, Bee Gees
Bee Gees – Trafalgar [MFSL UDCD 680]Release Date: 1971/Sept 19, 1996 Remastered
Size: 278 MB | Genre: Pop/Rock | Lossless
Label: Mobile Fidelity Sound Lab – Audiophile
Included: EAC + Cue + WavePack + Covers
The Album Notes
Trafalgar is the Bee Gees’ seventh album, released in September 1971. The album was a moderate hit in the United States, and peaked at #34. The lead single “How Can You Mend a Broken Heart?” was the first Bee Gees’ #1 single in the United States. “Review by Bruce Eder
The Bee Gees had entered the early ’70s with a roaring success in the guise of “Lonely Days” and its accompanying album, which established their sound as a softer pop variant on the Moody Blues’ brand of progressive rock. Trafalgar, which followed, carried the process further on what was their longest single LP release, clocking in at 47 minutes. The music all sounded meaningful, much of it displaying the same kind of faux-grandeur that the Moody Blues affected on their music of this era, the core group (playing pretty hard) acompanied by either Mellotron – generated orchestra or the real thing, with the group’s soaring harmonies and Robin Gibb’s quavaring lead vocals all over the place. As with 2 Years On’s “Man for All Seasons,” there was also one title (“Lion in Winter,” featuring a startling falsetto performance) lifted from a recently popular film and play having to do with English history. It was all very beautifully produced and, propelled into record – store racks by the presence of “How Can You Mend a Broken Heart,” the group’s first No. 1 single, Trafalgar shipped very well initially. Nothing else on the record was remotely as memorable as the single, however, and its sales were limited.
Trafalgar was also the handsomest and most elaborately designed of their albums, its cover reprinting Pocock’s painting “The Battle of Trafalgar” and the interior gatefold containing a shot of the brothers enacting the scene of the death of Lord Nelson. It all imparted the sense of a concept album, though nothing in the music said so, except perhaps the finale, “Walking Back to Waterloo.” Despite the hit single, the album showed the limits of the Bee Gees’ talents as songwriters and of their appeal as album artists. ”
Trafalgar is the Bee Gees’ seventh album, released in September 1971. The album was a moderate hit in the United States, and peaked at #34. The lead single “How Can You Mend a Broken Heart?” was the first Bee Gees’ #1 single in the United States. “Review by Bruce Eder
The Bee Gees had entered the early ’70s with a roaring success in the guise of “Lonely Days” and its accompanying album, which established their sound as a softer pop variant on the Moody Blues’ brand of progressive rock. Trafalgar, which followed, carried the process further on what was their longest single LP release, clocking in at 47 minutes. The music all sounded meaningful, much of it displaying the same kind of faux-grandeur that the Moody Blues affected on their music of this era, the core group (playing pretty hard) acompanied by either Mellotron – generated orchestra or the real thing, with the group’s soaring harmonies and Robin Gibb’s quavaring lead vocals all over the place. As with 2 Years On’s “Man for All Seasons,” there was also one title (“Lion in Winter,” featuring a startling falsetto performance) lifted from a recently popular film and play having to do with English history. It was all very beautifully produced and, propelled into record – store racks by the presence of “How Can You Mend a Broken Heart,” the group’s first No. 1 single, Trafalgar shipped very well initially. Nothing else on the record was remotely as memorable as the single, however, and its sales were limited.
Trafalgar was also the handsomest and most elaborately designed of their albums, its cover reprinting Pocock’s painting “The Battle of Trafalgar” and the interior gatefold containing a shot of the brothers enacting the scene of the death of Lord Nelson. It all imparted the sense of a concept album, though nothing in the music said so, except perhaps the finale, “Walking Back to Waterloo.” Despite the hit single, the album showed the limits of the Bee Gees’ talents as songwriters and of their appeal as album artists. ”
Tracklisting:
01. How Can You Mend A Broken Heart
02. Israel
03. The Greatest Man In The World
04. It’s Just The Way
05. Remembering
06. Somebody Stop The Music
07. Trafalgar
08. Don’t Wanna Live Inside Myself
09. When Do
10. Dearest
11. Lion In Winter
12. Walking Back To Waterloo
Total Time: 51:19
Thanks to aksman
———————————————————
Important!
Only for your information.
Please delete it from your HDD after listening to.
If you like the music, buy the CD.
Bee Gees – Trafalgar [MFSL UDCD 680]
Password: EktorasClub
Please… Don’t post mirrors
———————————————————
Only for your information.
Please delete it from your HDD after listening to.
If you like the music, buy the CD.
Bee Gees – Trafalgar [MFSL UDCD 680]
Password: EktorasClub
Please… Don’t post mirrors
———————————————————
Eric Clapton – Slowhand [MFSL 24KT Gold CD UDCD 553]
Posted: October 6, 2008 in .24KT Gold, .Audiophile, .MFSL, .Remastered, Eric ClaptonRelease Date: 1977/1991 | Genre : Rock | Lossless
Audiophile | Record Label: Mobile Fidelity Sound Lab
Included: EAC + Cue + Flac + Covers | Size : 222 MB
The Album Notes
SLOWHAND was the album which defined the new cool of Eric Clapton, a sultry, laid-back mix of rock and blues, with a heavy dose of country and southwestern regional sounds to leaven the blend. After LAYLA, SLOWHAND was probably Clapton’s most popular, fully realized solo disc.
The opening number was by J.J. Cale, whose “After Midnight” had been one of the real joys of the guitarist’s first solo excursion, ERIC CLAPTON. “Cocaine,” with its slow grinding beat, menacing melodic vamp and one-step from perdition lyrics, was the toughest, most rocking number on SLOWHAND, and a major radio hit from the outset.
A couple of vocal duets with countryish harmonies set the tone for the rest of SLOWHAND. “Lay Down Sally” was a funky, chicken-fried bit of boogie with a taut, melodic aside from Clapton’s twangy Stratocaster, while Don Williams’ sweet, soulful “We’re All The Way” provided a low-key vehicle for Clapton’s tender vocal exchanges with Marcy Levy, as his understated arpeggios toll away in the background.
Editorial reviews:
SLOWHAND was the album which defined the new cool of Eric Clapton, a sultry, laid-back mix of rock and blues, with a heavy dose of country and southwestern regional sounds to leaven the blend. After LAYLA, SLOWHAND was probably Clapton’s most…
SLOWHAND was the album which defined the new cool of Eric Clapton, a sultry, laid-back mix of rock and blues, with a heavy dose of country and southwestern regional sounds to leaven the blend. After LAYLA, SLOWHAND was probably Clapton’s most popular, fully realized solo disc.
The opening number was by J.J. Cale, whose “After Midnight” had been one of the real joys of the guitarist’s first solo excursion, ERIC CLAPTON. “Cocaine,” with its slow grinding beat, menacing melodic vamp and one-step from perdition lyrics, was the toughest, most rocking number on SLOWHAND, and a major radio hit from the outset.
A couple of vocal duets with countryish harmonies set the tone for the rest of SLOWHAND. “Lay Down Sally” was a funky, chicken-fried bit of boogie with a taut, melodic aside from Clapton’s twangy Stratocaster, while Don Williams’ sweet, soulful “We’re All The Way” provided a low-key vehicle for Clapton’s tender vocal exchanges with Marcy Levy, as his understated arpeggios toll away in the background.
Editorial reviews:
SLOWHAND was the album which defined the new cool of Eric Clapton, a sultry, laid-back mix of rock and blues, with a heavy dose of country and southwestern regional sounds to leaven the blend. After LAYLA, SLOWHAND was probably Clapton’s most…
Tracklisting:
01. Cocaine
02. Wonderful Tonight
03. Lay Down Sally
04. Next Time You See Her
05. We’re All The Way
06. The Core
07. May You Never
08. Mean Old Frisco
09. Peaches And Diesel
Total Time: 00:39:21
———————————————————
Important!
Only for your information.
Please delete it from your HDD after listening to.
If you like the music, buy the CD.
Eric Clapton – Slowhand [MFSL 24 KT Gold CD UDCD 553]
Password: EktorasClub
Please… Don’t post mirrors
———————————————————
Only for your information.
Please delete it from your HDD after listening to.
If you like the music, buy the CD.
Eric Clapton – Slowhand [MFSL 24 KT Gold CD UDCD 553]
Password: EktorasClub
Please… Don’t post mirrors
———————————————————
EktorasClub 